positivelyroomy: (pic#17816391)
2025-06-07 12:42 am

[ diadem ] application



Player Information

Player: Jackie

Contact: PM or [plurk.com profile] inabunk

Invitation OR characters played: TDM invite 💖

Are you over 18?: Yes

Heavy Spoilers for The Magnus Archives. My too much gene too muched.



Character Information

Character: Martin Blackwood

Canon: The Magnus Archives | end of episode 200

Age: Between 33-34

History: Link

Possessions: He didn’t have all that much on him in the end. A backpack with a basic survival kit, a journal filled with his poetry, maybe a few sad stray teabags that got squished at the bottom.

Weapon: Well his knife arrived separately so...

Powers/Abilities: He has a lingering tie to his Patron, with the ability to vanish at will.



Application Questions

Who is the most important person in their life and why? What might be different if this person hadn't been around?
Jonathan Sims is an absolute disaster, but he is Martin’s raison d'être. The primary aspects I will focus on as far as impact heavily lean on later seasons, as the first year they work together passes by with Martin making eyes and a damned fine cup of tea for a man that acts like he can’t stand him. Their relationship is a trauma-fueled slow-burn; it takes three seasons for John to openly react to the office gossip of Martin having feelings for him. Of course, it’s on the Eve of the Unknowing; a ritual that John plans to put a stop to. Melanie and Martin are to stay back to distract Elias, while John, Tim, Daisy, and Basira do the dirty work of blowing up a wax museum.

In the same episode (Mag 117: Testament), Martin states with frustration that he has lived his life afraid, though in this case, it isn’t for himself. He’s tired of being passive, of letting life happen to him with little say, but this time he has a plan. He wants Elias to pay for the harm he has caused John (and the team, but it is blatantly obvious where his priorities lie) and doesn’t care if it hurts him in the process. At face value, the plan is a distraction, but Martin is more than aware of what Elias can do from what he did to Melanie. He actively uses himself as bait, knowing it will hurt a lot. His plan does work, and Elias is arrested but the spoils of victory are short-lived.

After the team's combined efforts to stop the Stranger's Ritual, John was left in a medically impossible coma. Tim is gone, Daisy is missing. Martin, whose innocent office crush had fully blossomed into love, mourned the loss of both John and his mother, who passed two months after John was brought to the hospital. To add to this grief, the Institute had become a target for those who served the other Fears, as they viewed the Eye as a threat rather than a neutral, voyeuristic nonstarter. The trailer for season 4 takes place after a particularly gruesome attack, with Martin tearfully pleading for John to wake up. A call interrupts their one-sided conversation, leading to another, more troubling one. He quickly composes himself to strike a deal with Peter Lukas, under the pretense that his compliance would ensure the team’s safety. He apologizes to John once the call ends and tells him goodbye. There is a sense of finality to it.

It’s not bravery that has Martin agreeing to help Peter Lukas by refining an already natural affinity for The Lonely. He feels he has nothing to live for, so while his efforts could be useful, it could also just be an easy way to die.

John wakes up from a six-month coma, despite all odds… and Martin suddenly has a reason again. This theme of self-sacrifice is recurring in their relationship. There is a difference in how guilt guides the two of them; for John, it’s a matter of atoning for the monster he believes himself to be, and for Martin, it’s to save the man he believes John yet to be. To keep Peter’s attention off of John (much like he did with Elias before the Stranger’s Ritual), Martin obliges Peter’s insistence that he commit to truly isolating himself from the others while slipping statements and tapes around the office to help offer guidance, the best he could (if it wasn’t the Lonely, Martin would have definitely become an avatar for the Web with his tendency to gently manipulate a situation).

It comes to a head when, in the throes of his isolation, Peter moves their plan ahead only to be confronted by Elias. Martin, absolutely over being a pawn for someone else’s ego, refuses to kill him (even though he wants to), and, in a fit of pique, Peter casts Martin into The Lonely. While he had tipped off John to what was about to happen, John didn’t arrive in time to stop the banishment. Scared and knowing he might die, he willingly goes into the Lonely to find Martin and bring him back. The most depressing love confession ever happens, but an underlying factor in their bond is explained. They act as anchors to one another, reminding them of who they are beneath the influence of their Patrons. He knows John better than he knows himself, and to not have that focal point would be damning.

Is there an event in your character's life that they'd do differently? How so and why?
There are too many, but one in particular weighs on his shoulders more than the rest. They’d escaped to Daisy’s safe house after John dragged Martin from the Lonely, and for a few weeks, he and John lived in a rosy glow of domesticity. There were a few caveats to this arrangement; as Archivist, John needed Statements to survive and didn’t want to take them directly from people. Basira did her part by slipping statements from the archive to the cabin’s PO Box in town. At this point, Martin was the one trusted enough to be around other people to fetch them and run errands.

He’d allowed himself to get too comfortable. John had asked him if she’d mentioned sending tapes along with her latest drop – and while Martin didn’t recall her saying anything like that, he had jokingly dismissed it, suggesting that it might’ve been her way to give him a varied diet. Knowing he was due for a Statement, Martin excused himself from the cabin, claiming it was for John’s privacy and not the discomfort that came from understanding what truly sustained him.

It was while he was out taking a walk in the Scottish countryside that John settled down to read what he thought was a standard-grade, genuine Statement. The “statement” was a ruse, orchestrated by Elias/Jonah to trick John into acting as the linchpin of the Eye’s Ritual. Because of his ties to his Patron, John was unable to stop the incantation once he started, and when it was finished, the world was plunged into chaos and terror.

Martin blames himself for not being present and for condemning billions to endure their worst nightmare to appease the Eye. He blames himself for letting his guard down, for not vetting Statements before they were passed on to John. Elias was a significant enough danger that they’d hidden in a remote village in Scotland, and yet, he’d naively believed they were safe (enough) from his reach. Even if Martin, with his partial alignment to the Eye – read that incantation verbatim, likely, the Ritual would not have succeeded. He had been groomed for the Lonely, while John had essentially been curated to become the Archive of Fear itself, marked by the 14 through his time with the Institute (the latter was a necessary part of The Watcher’s Crown successfully kicking off).

He'd have burned that statement like he had years ago, just to spite Elias again.

What's the greatest challenge you foresee your character facing in the setting?
I like the idea of the Lonely clinging to him through the jump – and the one area strongly resembling his Patron’s Domain is the Yawning Sea. He is naturally drawn to the allure of quiet solitude, isolation, and indulgent guilt. It is that perfect storm of guilt and unknown effect on this new world that will have Martin wary. Sacrifices were made in the world that he knew before this one, that he is reminded of whenever he looks at John. The guilt he harbors for having to untether the Fears from their world in the vague hope it would leave those that had been tortured a chance to rebuild is an immense and crippling thing.

He wants, desperately, to just accept that they got lucky, that any of the hundreds of realities potentially touched by these Entities will have centuries before they can gain enough influence to even have a chance of breaching into the population residing there. He wants to be happy – which only perpetuates his guilt. The danger of him getting in his car and just driving until there’s an empty tank to accompany vast, empty expanses of a post-apocalyptic land is very real.

What's the easiest thing you foresee your character adapting to in the setting?
Martin has never seen himself as much of a leader, but he is very good at acting as support. The last several years of his life have been spent navigating active threats to the Institute, John, and the world as he knew it. He’s adept at surviving and has spent an indeterminate amount of time walking through a literal hellscape. He would find it fulfilling to help those who are less inclined to handle horrible scenarios – he is very good at putting himself into perilous situations for the greater good.

That makes him sound like he’s not a contender for The Web. He’s not above being dishonest or manipulative to get a situation to go his way. Looting? He’ll feel a tug of remorse for doing it, but if it means they have supplies to handle the grimdark scenarios scattering their second chance, he’ll do it. Employment? He lied on his CV in his early 20s to get a job at a spooky Institute. He is slightly more confident now than he was back then. If he can survive the apocalypse, he can charm his way onto someone’s payroll.




Samples

Sample: One | Two | Three
positivelyroomy: (pic#17816386)
2025-06-06 02:03 pm

Pay the Cat Tax

Inbox
332 - 8180
Voice — Text
"You've reached Martin Blackwood. If you need me, no, you don't. Leave a message, anyway."
2025-05-21 03:25 pm

hmd

Take the Wheel.
tell me I'm trash!

Martin is in a grey area of voice-testing, so if I’ve got some room to grow, I would love to know. Constructive criticism is welcome! Kindness is appreciated.

IP logging off | Comments screened | Anon enabled

2025-05-01 10:57 pm

Here comes the boy. Hello boy.

Martin Blackwood
The Magnus Institute
Height
6’2”
Build
Tall and broad
Hair
Darker blond with a reddish tinge, shorter
Eyes
grey
Age
33-34
Canon Point
Post-canon
Markings
Just mental scarring here, thanks.
Character Information
Among fans of indeterminate but substantial enough numbers, Martin Blackwood is a soft boy who can do no wrong, but it’s the flaws that add depth to a good character. Yes, he has softness to him. He is also manipulative and a good liar. I think both are the result of growing up as he did, desperately wanting the love of a mother who lacked warmth and affection. He has made himself to be the most palatable version or himself, the least obtrusive.

In their Season 4 Q&A, his voice actor reflected Martin’s growth as learning that it didn’t work to go around, setting yourself on fire in hopes it kept others warm. Guilt is a motivator for Martin, who has internalized a lot of the disdain his mother felt for him for years. His sense of obligation – is it love? – to his mother had him leaving school before graduating to get a job to pay for her assisted living once her health was too far gone for him to care for her on his own. He wouldn’t have found himself at the Magnus Institute if he’d been a less dutiful son. Less lonely.

The early days of the Archives are alright enough. He gets himself a bit of a crush on his boss, who is… kind of a dick, particularly regarding his opinion of Martin’s gross incompetence. It’s not that Martin is incompetent. Lacking confidence? Yes.. Nervous, as if he were hiding something (who isn’t?), sure. Being a people pleaser, he puts himself in danger for “due diligence.” Turns out that trauma is character-building. We enter the era of Martin displaying a bit more backbone and practicality. He is still largely seen as nonthreatening, which Martin finds very offensive… and yet, it comes in handy, and he is more than happy to exploit it.

Appearance
He has an appearance? (wip is wip)
Skills & Abilities
His affinity with The Lonely grants him the ability to vanish at will.
Jackie ∞ EST — Contact
positivelyroomy: (pic#17816390)
2022-01-15 12:00 am
Entry tags:

Permissions.

basics;
backtagging
yes.
assumed cr
absolutely.
tag pref
both!
4th walling
no thanks
thread jacking
ask me
crosscanon
absolutely!
specifics;
physical contact. Martin is generally okay with platonic physical contact. Obviously, the more you know him the freer he is with hugs and other touching, though crowding his personal space might make him less than comfortable. Claustrophobia isn't just walls pressing in.


physical affection. Craves it like air.


mind reading. Martin is not fond of having his thoughts probed at. Martin isn't even okay with John Knowing his whereabouts, and he trusts him.


fights, injuries and death. Martin canonically can hold his own in a fight (The Voice of God said so). I am down for these options, given that plotting is done beforehand. He's not likely to break out into a bar fight unprompted, but if he has a reason for it, he will.



Spoiler for Season 5

He loses a lot of sweet boy points in this season. Yes, they essentially honeymoon in the Apocalypse, but he was such a dick to John. He actively encourages John to smite down avatars during their trek to the Penopticon (Even the more neutral Oliver Banks, primarily due to jealousy). When John smites Helen (The Distortion), this little hypocrite was sad about it because she acted like their friend (until she tried trapping John).




romance and shipping. For Diadem: He's in a committed relationship with John, so not much of an opportunity for anything on this front. In general, I am happy to play it more by ear. I'd find it interesting to see how something would develop between Martin out of mutual affection rather than trauma.


smut. (and nothing BUT! you're a real one if you get that) Martin (probably) prefers men, but I am always down to explore options depending on his CR with someone. Comfortable with smutty tags or fading to black. If you want to play something, just DM me or Plurk @ inabunk (I am a heathen. We do not yuck yums!)


notes.

Spoilers: If you want to avoid spoilers regarding the series as a whole, please poke me with a nice, shiny stick. Some would call that a knife! But, seriously, I'd hate to take away from anyone listening to the lovely, horrible little hellscape of a podcast.


⚠️ content warnings. Some triggers are often associated with the Lonely and The Magnus Archives in general. I'm obviously here to have an enjoyable time, so if there are particular themes you wish to steer clear of (cw: suicidal ideation, traumatic childhoods, isolation, guilt and self-blame to name several relevant) I am more than happy to respect that!